The current LAB/Corbyn approach raises the question: What are oppositions for?
At the start of Francesco Rosi’s 1984 film of Carmen, there is a scene in which the bull, enraged but weakened by the fight, the loss of blood from wounds caused by lances and the many banderillas thrust into its head, is finally despatched by the toreador inserting a sword between the beast’s shoulder blades into the heart. It mirrors the final scene when Jose, maddened by Carmen’s indifference, kills her in the same arena. The scene does not…